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Weaver does not look like the stereotypical poet on this recent weekday in his Simmons College office.

He wears a trim blue blazer, a blue shirt, and a mild tie. No campus casual for Weaver:

He dresses this way every day . . .

 

 

Books by Afaa Michael Weaver

Water Song (1985)  Multitudes (2000)  / Sandy Point (2000)  /  The Ten Lights of God (2000)

These Hands I Know  / The Plum Flower Dance

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Afaa Michael Weaver at Pratt Library

Saturday, April 19, 2008, 2:00p.m.

Afaa Michael Weaver was born on Baltimore’s eastside and graduated high school during the turbulent Spring of 1968.  Marking the fortieth anniversary of that personal milestone, as well as a chaotic chapter in the city’s history, Weaver returns to Baltimore to read at CityLit Festival from The Plum Flower Dance at 2:00.

Weaver wrote and published poetry on the side while working factory jobs at Procter & Gamble and Bethlehem Steel. He founded 7th Son Press and published the journal Blind Alleys, which featured Andrei Codrescu, Frank Marshall Davis, and Lucille Clifton among others. As a freelancer, he has written for the Baltimore Sun, the Boston Globe, the Philadelphia Inquirer, the Chicago  Tribune, and the Baltimore Afro-American. 

He began his teaching career as an  adjunct in 1987, teaching at New York University, the City University of New York, Seton Hall Law School, and Essex County College. In 1990, he began at Rutgers Camden and received tenure with distinction there as an early candidate. In 1998, Weaver joined the English Department at Simmons College, where he founded the Zora Neale Hurston Literary Center.

Deputy Mayor Salima Siler Marriott, Pratt Library Executive Director Dr. Carla Hayden, and CityLit Project Executive Director Gregg Wilhelm join the poet at 10:30 to declare April 19 “Afaa Michael Weaver Day.” 

Programs take place throughout the library.  A complete schedule of times and locations is available at City Lit Project.

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Important links: afaamweaver  / My Father's Geography  / Concord Poetry

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A poet forged in heartbreak—He has just published The Plum Flower Dance, a collection of his work from 1985 to 2005. He is featured on the cover of this month's Poets & Writers magazine. Boston University recently asked him to donate his papers to the university's Howard Gotlieb Archival Research Center. (Weaver said yes.) Heady stuff - absolutely none of which Weaver, now 56, takes for granted. He spent too many years working in the warehouses and steel mills of Baltimore, scribbling lines of poetry during coffee breaks. "In the warehouse, it was thousands of boxes circling around—every day the same thing," he recalls. "You felt like you were being pounded into anonymity. Holding on to the poetry was a way of keeping myself alive. "It still is, though Weaver does not look like the stereotypical poet on this recent weekday in his Simmons College office. He wears a trim blue blazer, a blue shirt, and a mild tie. No campus casual for Weaver: He dresses this way every day, as if heeding Flaubert's advice to "Be regular and orderly in your life like a bourgeois, so that you may be violent and original in your work." . . .

Weaver's precocity was such that he skipped eighth grade and enrolled early at Baltimore Polytechnic Institute, known for its rigorous curriculum and such alumni as H.L. Mencken and Dashiell Hammett. When he asked his mother for permission to try out for the football team at Poly, her refusal was couched in terms that spelled out the high hopes she had for him: "You might hurt your head, and that's the most valuable thing you have."

He knew that. Young Michael Weaver's mind was so hungry for knowledge that, whatever the subject, his interest in it "exceeded the hours in the day," says Weaver, adding: "I still feel that way now." When he was asked to do a research project, he chose for his subject the complex architectural designs of Frank Lloyd Wright. But the careful architecture of Weaver's own life was soon to develop cracks and fissures.

He enrolled at the University of Maryland in 1968. College Park was as far from Baltimore as he was willing to venture, and even that turned out to be too far. "I had never been totally in a white environment," he says. "My insecurities just overwhelmed me, and after two years I came home." In 1970, his girlfriend got pregnant, so they married. He was 19. Eager to prove himself in some way in the wider world, he joined the Army Reserves. . . .Boston.com

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posted 16 April 2008

 

 

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