ChickenBones: A Journal

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She never knew I knew she ate starch, but there / I’d be hiding behind the stove, when she took

a break from pressing clothes—she crunching / her starch at the table, me chewing mine softly

 

 

 

Argo Starch

                              for Rudy Lewis

                By  Mary E. Weems

I ain’t thought about Argo starch

in forever, the cracked-chalk looking delicacy

granny used to turn into crisp white sheets, and grandpa’s

shirts when mama’d let us visit the heaven

of their house for a weekend.

 

Granny was a clean-neat-freak. Quarters jumped out

of piggy banks to bounce on the beds she made, with 4-fold

corners, the beds she taught me to make ignoring me when I said

we’d just be back in them in 12 hours.

 

Granny grew up when women had to heat their irons

on coal stoves, would tell me stories about corncobs

to wipe behinds, re-washing her mama’s walls at 3 o’clock

in the morning—if a dirt spot was discovered during

late night chore inspections.

 

She never knew I knew she ate starch, but there

I’d be hiding behind the stove, when she took

a break from pressing clothes—she crunching

her starch at the table, me chewing mine softly

between repeating to myself over and over

I love you sweetie pie.

 

Back then die was just a word I connected

with Jesus and the resurrection granny believed

in—My crying at night after repeating Now I

lay me down to sleep, I pray the lord my soul

to keep—about how I feared losing her not my soul.

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Mary E. Weems, Ph.D. is an accomplished poet, playwright, author, editor, performer, motivational speaker, and imagination-intellect theorist. Weems has been widely published in journals, anthologies, and several books including Public Education and the Imagination-Intellect: I Speak from the Wound in My Mouth (Lang, 2003), developed from her dissertation which argues for imagination-intellectual development as the primary goal of public education. She won the Wick Chapbook Award for her collection white in 1996, and in 1997 her play Another Way to Dance won the Chilcote award for The Most Innovative Play by an Ohio Playwright. Her most recent chapbook Tampon Class (Pavement Saw Press, 2005) is in its second printing. Mary Weems currently teaches in the English and Education departments at John Carroll University, and works as a language-artist-scholar in k-12 classrooms, university settings and other venues through her business Bringing Words to Life. Contact Professor Weems, mweems45@sbcglobal.net, for readings and more information.

Mary Weems is the eldest daughter of four, the mama of one daughter, Michelle E. Weems, and the blessed-to-be-with-him-wife/partner of James Amie. Proud to have been raised by her mama, and to be from a poor, working-class background, Mary started writing poems when she was thirteen to learn to love herself. This took a while. Since then, her creative spirit-eye has turned more and more outward to include her take on the African-American experience from a personal and political perspective as well as the universal complexities of being a woman and anyone alive in the world. Mary E. Weems Table

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update 14 March 2008

 

 

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