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Books by Louis Reyes Rivera
Sanchocho: A Book of Nuyorican Poetry /
Scattered
Scripture /
Bum Rush the Page
* * *
* *
The Bandana Republic
A Literary Anthology by Gang Members and Their
Affiliates
Edited by Louis
Reyes Rivera and Bruce George
Bandana Republic Anthology
Debuts @ Hue-Man Book Store & Café
Monday, June 9, 2008, at 6pm
2319 Frederick Douglass Blvd. (125th St.), Harlem
(between 125th & 124th)
Hosted by Victor “Gotti” Cherry
New York, NY – 28 May 2008 – On
Monday evening, June 9, at 6 p.m., the Harlem-based
Hue-Man Book Store & Café will host the first of a
series of book signings for
The Bandana Republic: a
Literary Anthology By Gang Members and Their Affiliates
(Soft Skull Press, NY). With its release to bookstores
throughout the U.S. barely underway, this 265-page
collection is already a hot subject on Internet Radio
and on-line venues.
Already hailed as the most
provocative and powerful literary work yet to hit the
stands this year, The Bandana Republic is the first
full-length anthology that features writings from both
former and current urban gang members. Intergenerational
in scope, the work consists of over 125 entries,
including letters, essays, poems, short stories and
interviews by a solid array of social workers,
activists, teachers, gang leaders, artists, writers,
film and stage celebrities from New York to California
and beyond. Co-edited by award-winning poets Louis Reyes
Rivera (Scattered
Scripture;
Bum Rush the Page, et al)
and Bruce George (a Peabody recipient for HBO’s Def
Poetry Jam), the anthology also features a foreword by
movie star and NFL Hall of Famer Jim Brown (founder of
Amer-I-Can Program and Foundation, an organization
exclusively devoted to urban youth).
The book is divided into six
sections, each focusing on specific aspects of lifestyle
and social conditions likely to engage urban youth. The
initial sections (Battleground, Telling The Tale and On
The Count) fully lay out the evolutionary process borne
by many, from initiation and gangbanging to prison terms
and self-education. The next two sections (The Politics
We See and Hard Love) continue the process with more
focus on both the political and personal aspects of
social consciousness which actually pervades throughout
the book and culminates in the final section (New Leaves
Turning), in which communal and social responsibility
are more fully engaged.
Hosted by Bandana contributor
Victor ‘Gotti’ Cherry, the June 9th celebration at
Hue-Man Books (2319 Frederick Douglass Blvd, at 125
Street) begins at 6 p.m., with several other
contributors on hand. This is followed by tandem
appearances scheduled to take place at the Los Angeles
Black Book Festival on June 14, and at the Nuyorican
Poets Café on Tuesday, June 24 (7 p.m.). For further
information, contact via internet websites:
www.softskull.com;
myspace.com/thebandanarepublic.
* *
* * *
More About the Book
Urban youth gangs
and street associations are viewed more often than not
as training grounds for thugs and felons. Left out are
their members' emotional sensitivities, their political
consciousness, their individual and collective
capacities to assess the social conditions that gave
rise to the need for such associations. Not included in
the popular dialogue on gangs is the creative impulse
that has continued to manifest in popular culture--from
the birth of the Blues to Rag Time and Swing, to BeBop,
Doo Wop and Hip Hop. From the Student Non-Violent
Coordinating Committee (SNCC) to the Black Panther
Party, Brown Berets, Young Lords and Brownstone Rangers
to the height of the Civil Rights Movement to our
current Hip Hop culture, urban gang rhetoric and its
symbolisms have informed almost every major social
movement of this century. They have also played a role
in protecting neighborhoods, initiating food and
clothing drives and in taking on housing-related issues
such as gentrification.
The Bandana Republic, A Literary Anthology by Gang
Members and Their Affiliates, edited by Louis Reyes
Rivera and Bruce George with a foreword by Jim Brown
focuses on creative literature written by adolescents
from such former and contemporary gangs as Chaplains,
Bishops, Sportsmen, Crips, Bloods, Latin Kings, Black
Spades, Neta, Black Gangster Disciples and others.
Includes work by former gang members who have gone
beyond gangbanging and into the social and cultural
arenas. The anthology showcases writing by Alicia
Benjamin-Samuels, Oscar Brown Jr., Chairman Fred
Hampton, Jr., Commander, Comrade X, Layding Kaliba, Dead
Prez, Ruby Dee, Shaggy Flores, Erica Ford, The Last
Poets, Jesus Papoleto Melendez, Akua Njeri, Willie
Perdomo, T. Rodgers, Luis J. Rodriguez, Leila Steinberg,
Kublai Toure, Ted Wilson, Malik Yoba, and others,
many of whom have either come from urban gangs or were
closely affiliated with street-based organizations
Like many adolescents, they initially attached
themselves to the available rough-n-tumble street role
models, becoming active gang members and adopting the
ways of the street. Inside of this framework, and in
spite of the stereotypical conventional wisdom concerning street gangs, they were also reared into the
creative aspirations of their respective communities.
Not just dancing and styling, but reading and studying,
learning to develop the gall to give voice to the voice.
excerpts from the Introduction
* *
* * *
The Bandana Republic
a
Literary Anthology By Gang Members and Their Affiliates
Contents
| Foreword |
Jim Brown |
xiii |
| Introduction |
Louis Reyes Rivera |
|
| |
|
|
|
I—Battleground |
|
|
| |
|
|
| We Are Born
Into This |
Francine Rosas
|
9 |
| Super Tramp |
Monte Smith |
9 |
| Set Tripping
|
Bruce George |
10 |
| Initiation:
Seven Immortals |
J.Sheeler |
12 |
| Self-Made Man |
Oscar T. Lester |
14 |
| The Night
Gotti Died |
Victor Gotti Cherry |
15 |
| King of
Ghettoasphere |
Avery R. Young |
16 |
| Racial
Conflicts |
Juan C. Valadez |
17 |
| Untitled |
Bmoredamu |
20 |
| Maria |
Nekesha Bell |
21 |
| Machine in
Mo-Shuuun! |
Big Kiko |
22 |
| Riverside
Outlaw |
O.G Pimp GKB G-Shyne |
23 |
| Catch You at
the Crossroads |
Erica Ford |
25 |
| I didn’t know
|
Eric S. |
26 |
| Shooting the
Rabid Dog |
Marcelo |
27 |
| Ethnic
cleaning |
Kevin Coval |
29 |
| These Hands |
Joseph Andolinio |
30 |
| Esoteric
Rhetoric |
Abyss |
33 |
| Battle |
Willie Perdomo |
36 |
| Partners to
the End |
Terrence Oats |
37 |
| Recess Time |
John D. Evans |
37 |
| Refugees |
Alicia Benjamin-Sammuels |
38 |
| Kasper |
Juan C.Valadez |
39 |
| I ran from,
and to, home |
Chad Marshall |
40 |
| Homeboy |
K-Swift |
42 |
| Writing
Inside Time |
Lecory Rhyanes |
43 |
| Dead Angels |
Juan C. Valadez |
44 |
| Where the Luv
At |
Redstorm |
45 |
| The Pariah |
Sun Ra
a.k.a Oow-Wee
Shakur |
46 |
| |
|
|
| II-Telling
The Tale |
|
47 |
| |
|
|
|
Flexing for Turf |
Dwane Bell |
49 |
|
Absence of Choice |
Layding L. Kaliba |
50 |
|
Untitled |
Jaha Zainabu |
54 |
|
From Gangs to the Ghetto to Gangstas of the
inner City |
Ted Wilson |
56 |
|
Ghetto Nostalgia |
T. Rodgers |
64 |
|
Our Children are Screaming |
Gino Morrow |
66 |
|
Todo Por Mi Familia |
Cherryl Aldave
|
70 |
|
Big Tookie |
Big Kiko |
79 |
|
18th Street Showdown |
Johnny Berger |
80 |
|
Inner City Disease |
Al & Nnamdi |
86 |
|
What Blood Means |
OG 40 Dogg |
88 |
|
D.T.K (Down to Kill) |
Ron King |
88 |
|
Big Tommy, Little Tommy |
Johnny Berger |
98 |
|
The Darkest of Knights |
John E. Marshall III |
103 |
|
Eloquent Hypocrisy |
Jesus P. Melendez |
105 |
| |
|
|
| III-On The
Count |
|
111 |
| |
|
|
|
I am what it is to be |
Richard Gonzalez |
113 |
|
As I lay in my lonely and cold bed |
King Blood |
113 |
|
A Letter from the Inside |
Jay the Butcher |
115 |
|
A Prayer from Hell |
Kakamia Jahad |
116 |
|
Where’d He learn it from |
Kakamia Jahad |
117 |
|
The Cage! |
Charles Bronson |
118 |
|
Have you seen the sun |
Rolando Ortiz |
119 |
|
Jailed |
Alicia Benjamin-Sammuels |
119 |
|
The Game |
Don Badatunde |
120 |
|
Excerpt: “Down for Revolution” |
Clyde Young |
121 |
|
Mind Games |
PJ.S. 1 |
140 |
|
They gave me twelve years on the wake-up
|
Shaka B. Shukur |
141 |
|
I’m Just waiting |
Noel Rodriguez |
142 |
|
Behind Prison Bars |
LaRonz Murray |
144 |
|
Letter to My Son |
Luis J. Rodriguez |
146 |
|
Leaving Death Row |
Reginald Lewis |
149 |
|
I Am/ I Am Out |
Rolando Ortiz |
150 |
| |
|
|
| IV-The
Politics We See |
|
153 |
| |
|
|
|
Old Lines |
Leila Steinberg |
155 |
|
Para Los Lation y Federico Garcia Lorca |
Kent Foreman |
158 |
|
From the Gut |
George Morillo |
160 |
|
Introduction to Life |
Malachi Daniels |
160 |
|
Culture |
OG Burner Blood |
161 |
|
Gangbanging the American Way |
Armen-Rah |
163 |
|
Original Gravey (O.G) |
Stic.Man |
165 |
|
Kun Frieya Kun |
Summer Hill Seven |
166 |
|
The N Word! |
Kamal |
168 |
|
Political Poetry |
Rikoshey Ratchet
|
170 |
|
Gangs R Us |
Word Engineer |
171 |
|
Brooklyn! Downed Town! |
Joe PY. |
172 |
|
Break Your Chains |
Redstrom |
173 |
|
Fear of a Bandana Republic |
Malachi Daniels
|
175 |
|
Can You Trap Into The Mentality |
Shannon Gross |
178 |
|
What do R.B.G. Mean? |
M1 of Dead Prez |
181 |
|
Born Identiy |
Kalonji Jama Changa |
182 |
|
Gangs |
Abiodun Oyewole
|
184 |
|
The Brothers Gunnin’ |
Commander |
185 |
|
SinCity |
Jamie Flores |
186 |
|
Tupac |
Rudy Dee |
188 |
|
Uhuru |
M.Bonds |
190 |
| |
|
|
| V-Hard
Love |
|
193 |
| |
|
|
| Without
Pretense |
Jungle |
195 |
| What are we
Having |
Anthony Graves |
195 |
| Dangerously
in Love |
Phillip Muhammad |
199 |
| Dance’ at the
Printz Grille |
Alicia Benjamin-Sammuels |
198 |
| She’s Just
Modeling |
Phillip Muhammad |
199 |
| Eyes Open
Wide |
Redstrom |
199 |
| Inside Out |
Monte Smith |
200 |
| Progress |
Lonna Kingsbury |
202 |
| The Dinner |
Lonna Kingsbury |
203 |
| Family Ties |
Carlos Palmer |
204 |
| Untitled |
Amir Sulaiman |
204 |
| Home Street
Home |
Dasun Allah |
205 |
| English Only
Spoken Here! |
Roxanne Hoffman |
206 |
| In the Name
Of Love |
Cierra M. Robinson |
209 |
| Visiting Day
at Elmwood |
Scorpiana |
211 |
| Ghetto Haikus |
Hamza Atoi |
212 |
| Degree of
Separation |
Karla Armour |
214 |
| Tribute |
Chantay Leonard |
217 |
| Elegy: in hot
pursuit |
Louis Reyes Rivera |
220 |
| |
|
|
| VI-New
Leaves Turing |
|
223 |
| |
|
|
| What Is a
Gang |
Shaka B. Shakur |
225 |
| Scareface |
Arman-Rah |
228 |
| It Seems Like
Yesterday |
Michelles |
231 |
| Diverse and
Wild |
Kathleen Morgan |
233 |
| The Process |
Kathleen Morgan |
234 |
| On Some
Freedom Shit |
Bruce George |
235 |
| Michael
Jackson’s Action |
Oscar Brown. Jr. |
237 |
| Patience of
the Spider |
Adisa Banjoko |
241 |
| Truth and
Honesty |
Adfiba Allison |
247 |
| An Open
Letter |
Kublai Toure |
247 |
| Youth and
Community |
Carlos Garcia |
248 |
| The thoughts
of a man |
Maxwell Houser |
249 |
| To whom It
May Concern |
Malik Yoba |
251 |
| On David |
Lord Cashus |
251 |
| 50 Clip
Reincarnation |
Victor Cherry |
255 |
| Simply Give |
Jauqo III-X |
256 |
| The Deal Is
Done |
Monte Smith |
256 |
| Gangs |
George Tavarez |
258 |
| America
Doesn’t Have a gang problem |
Kwame J. Teague |
258 |
| We Shine |
Daniel J. Class |
260 |
| The Ghetto
Manifesto |
Fred Hampton. Jr. |
261 |
| Code of
conduct |
Akua Njeri |
262 |
| The Directive |
Dasun Allah |
263 |
* *
* * *
|
Initiation: Seven
Immortals, 1972
By J. Sheeler
Circle of girls on the night sand,
boardwalk a glowing line behind us.
Gloria wraps the belt around her fist
as I pull my t-shirt up and off,
naked to the waist,
arms crossed,
hands spread out to cover the sides of my
breasts.
Watching the dirty, undulate CI beach
roll down to the dirty ocean water,
I wait for seven strikes of leather on bare
skin
to close out my individual life.
Gloria doesn�t hold back,
swings like a batter at the plate,
ninth inning,
all eyes on her,
whirls into a whipping that draws out of me
nothing but blood.
To call out, to cry�that is to fail.
And to fail
is to invite the watching circle to close
in,
deliver the real thing,
give me something to cry about.
That�s how my father would say it.
He trained me well for this initiation.
Years of unmeasured violence honed my
weapons:
blank face,
bone-dry eyes.
Seven strikes across the back,
counted out,
witnessed and paced.
This is a sure thing.
A bet I have no way to lose.
The girls don�t know this.
Gloria doesn�t like me,
wants to stay the only white Immortal on
Coney Island,
uses all her crazy-white-girl muscle
to whip some kind of sound out of me
but she can�t,
of course she can�t,
and the circle counts out loud,
feeds into the frenzy
�four, five, six�
a laughing scream at seven,
and I swing around to face my initiator.
Welcome, Seven Immortal
Gloria says, calm and blank at me,
dropping her belt to give me a complicated
handshake.
The circle breaks up, drifts off.
I walk the dark beach down,
alone,
to the water,
wet my shirt to wash the blood
then wash the shirt and pull it over my
brand-new back:
the red, the shredded black, the rising
blue.
My first jacket. My primary colors. |
* *
* * *
Louis Reyes Rivera is among the more respected
underground poets, having assisted in the publication of
over 200 books. Known as the Janitor of History and a
living bridge between African and Latino Americans, he
has taught courses on Pan-African, African-American,
Caribbean, and Puerto Rican literature and history, as
well as Creative Writing. In addition to solo recitals
and lectures, he has worked with jazz bands.
* *
* * *
Bruce George is a visionary, executive producer,
writer, poet, and activist born and raised in NYC. He
has written testimonials for the likes of Essence,
Emerge, and Class magazines, Harlem River Press, and
others.
* *
* * *
Source:
http://www.softskull.com/detailedbook.php?isbn=1-933368-27-6
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posted 22 May 2008 |