ChickenBones: A Journal

for Literary & Artistic African-American Themes

   

Home  ChickenBones Store (Books, DVDs, Music, and more)

Google
 

 

It was not that no one had ever heard of Celestina’s powers as a Mambo.

That was no secret. Everybody around Aux Cayes . . . knew that

General Francois Antoine Simon was a great follower of the loa

      Francois Antoine Simon

 
 

Books by Zora Neale Hurston

Their Eyes Were Watching God / Mules and Men  / Jonah’s Gourd Vine / Tell My Horse: Voodoo and Life in Haiti and Jamaica

Zora Neale Hurston : Novels and Stories / Dust Tracks on a Road: An Autobiography

Alice Walker and Zora Neale Hurston: The Common Bond

*   *   *   *   *

The Black Joan of Arc

By Zora Neale Hurston

 

Haiti, the black daughter of France, also has its Joan of Arc. Celestina Simon stands against The Maid of Orleans. Both of these young women sprung alike from the soil. Both led armies and came to unbelievable power by no other right than communion with mysterious voices and spirits. Both of these women stood behind weak ruling chairs, and both departed their glory for ignominy. The Duke of Burgundy burned Joan at the stake. 

The conquering hordes of Michel Cincinnatus Leconte drove Celestina Simon from the Haitian palace and doomed her to a dark and dishonored old age. But if Celestina and her father were driven out of power and public life, they have not lost their places in the minds of the people. More legends surround the name of Simon than any other character in the history of Haiti.

History says that General Francois Antoine Simon became President of Haiti in 1908, but practically the whole country agrees that he never should have been. There are countless tales of this crude soldier peasant’s stumbling and blunders in the palace where he had no right to be. His not knowing what to do in matters of state; what to say to foreign diplomats; and how to behave amid the luxuries of the palace, all are told and told again. But these possibilities have never been considered by the men who made him president in a desperate effort to cut short the reforms instituted by the noble Nord Alexis.

It was near the end of the presidential term of Nord Alexis and he was full of years. He did not wish to run for office again, but he was favoring a man who was pledged to continue his policies of honesty in government and the development of Haiti. This seemed a waste of money and opportunity to certain politicians. They had enough of the stringent honesty of President Alexis and wanted no more of the like. So they engineered General Simon into the palace. They knew he was too ignorant and boorish to make much of a president. But they did not shove him into the palace to do any governing. He was put there as a device. His “advisors” knew perfectly well what to do about matters of the state. At least they knew what they wanted to do about such things. And the great benefits to be derived from having the perfect tool in office as a façade were too great to be lost on account of the tool’s bad social form. What the “advisors” had to reckoned with was Celestina Simon and Simalo, the goat.

It was not that no one had ever heard of Celestina’s powers as a Mambo. That was no secret. Everybody around Aux Cayes and the Department of South generally knew that General Francois Antoine Simon was a great follower of the loa, and that his daughter Celestina was his trusted priestess. No one was surprised at this, for while Simon was well known that he had come up the military ladder from the most humble beginnings. Also, practically everyone had heard of his pet goat Simalo. It was claimed by the soldiers of Simon’s army that they were invincible because of the presence of the priestess Celestina and her consort, Simalo, in the front ranks of the force. Their combined powers utterly routed the government forces at Ansa-a-veau, so they said.

General Simon, it is recalled, had taken the field because he had been removed from office by Nord Alexis. He had been removed because he let it be known that he had presidential ambitions and President Alexis had his own ideas as to who should follow him in office. So he had determined to squelch Simon by demoting him. But as Nord Alexis well knew, Simon was being prompted by others with more intelligence but less courage. And Simon won the battle of Ansa-a-veau and won his way into the national palace only because the government was betrayed and because others had uses for a man like Simon. But Simon brought along with his usefulness, himself, his daughter Celestina, and Simalo, the goat. There are tales and tales of the services to the loa on the march from Aux Cayes to Port-au-Prince, especially the services that Celestina made to Ogoun Feraille, the god of war, to make men of her army impervious to bullet and blade. The army came marching into the capital carrying their coco macaque sticks to which had been tied a red handkerchief. This was a sign that Ogoun was protecting them. The stories of Celestina’s part in the battles, of her marching in advance of the men and firing them by her own ferocious attack upon the enemy had all preceded the army to the capital. The populace therefore made a great clamor as she entered the city at the head of the men of arms and called her the black Joan of Arc.

When her father became president, her prestige increased, and the flattery about her became almost hysterical when it was discovered that President Simon did and granted whatever Celestina approved. She was not only loved as a daughter, she was revered and respected as a great houngan. Nevertheless there was a great deal of laughter behind sophisticated hands in Port-au-Prince at the antics of the attachments of the president to his daughter and his goat.

But the laughter died quickly. In the first place Simon was not as manageable as anticipated. He took flattery seriously and it bloated him. It was impossible to ignore the fact that the saying of Celestina and the behavior of Simalo were of greater importance to him than any other national affairs, for indeed, the woman and the goat had come to be affairs of the nation.

The disgust, and the fear of the upper class Haitians grew with their astonishment. For instance when it was common knowledge that voodoo services and the ceremonies were being held in the national palace, many of them decided to keep as far away as possible and to have nothing at all to do with such persons, but President Simon thought differently. He gave great dinners and other state functions and the aristocrats dared not refuse his invitations. They knew the temper of the man too well for that. So they came at his thinly veiled command, ate, drank, and danced. Before his face they laughed loudly at all of his jokes and made the appearance of happiness. The moment his back was turned they looked at each other fearfully. They also looked with dread suspicion at the food and the wine. “Are we drinking wine or dirty blood and wine?” they asked each other in quick whispers. Dare they leave the potage untasted? Is this roast really beef or is it —? But just then the face of the president was turned toward them and they chewed and swallowed with fear and made out somehow to smile and flatter. Often it was said that a Voodoo ceremony was going on it the basement chambers while the state function was glittering its farcical way in the salon.

The Mountain House, the summer palace of President Simon was the scene of the greatest ceremonies, however. It was rumored that there took place the celebration of the walls and floor of one room were so ghastly that they were difficult to cover with paint. There Simon, and all those in the high places who believed with him, gathered for these services under the priestess Celestina and Simalo.

The most dramatic story of all tells about the breaking of Simalo’s heart. Rumor had it that years before there had been a “marriage” between Celestina and Simalo. A houngan had mysteriously tied them together for many causes and the power of each depended upon the other. All had gone happily until they were elevated to the palace. Then the flattery of many men gave Simon hope that his black daughter might capture a man of position and wealth. His and her ears heard only the flattery. They heard none of the fear and loathing that was increasing about them. Simon and Celestina saw nothing to prevent an advantageous marriage, so they began to plan for it. So far as they could see, the only barrier was the previous betrothal to Simalo. So they set about getting a divorce.

A powerful houngan whom Simon had brought from the South with him was said to have officiated at this ceremony. At the same time an elaborate function was going on in the salon of the palace. It was to be a celebration of the freeing of Celestina from her vows to the goat so that she might marry a man. Celestina herself was kept in her own bedroom until the ceremony was over. It was said to be a terrible wrench to her and she supported the sorrow with difficulty. It was only the prospect of a brilliant marriage, now that she was the daughter of the president, that sustained her in grief.

President Simon himself went from salon to basement several times watching the progress in his impatience to report the “liberation” of Celestina, feeling of course that several men of wealth and education were ready to prostrate themselves before his daughter. And each time that he left the room, the uneasy crowd above stairs exchanged hurried looks and whispers about the ceremony going on beneath them. It was one of those secrets that everyone had gotten hold of.

Finally, as he started below again, an attendant met him in the corridor and whispered that the ceremony was over and “Celestina est libre.” The President sought his daughter and led her into the great salon, announcing, “Celestina is free. She may marry anyone she chooses now.”

The news was received in great embarrassment. There was a polite show of joy, but no man rushed forward to take the widow of Simalo. One young deputy who escorted her on several occasions was fired on from the ambush and killed; it was never clear just why. At any rate, she has never married a man.

As for Simalo, it is said that his grief over the divorce was so great that he did not linger long after that. Some say, of course, that he was killed by the houngan that same day. A few days later there were as many whispers about the manner of his death as there would have been about the archbishop. It was certain that he was dead and both Simon and Celestina were sodden with grief. It is said that they could not bear the thought of Simalo being dumped in a hole and buried like any other dead animal. He must be buried like a man who had obligations to a god and hopes of eternity. So a priest and the Catholic church were tricked into giving him a Christian burial. The body of Simalo in a closed coffin was borne to the Cathedral in great and glory.

It was represented to the priest that a close relative of the president had passed away. There were great bouquets of flowers, smoking censora, the chanted mass for the dead and great weeping. A most impressive funeral, all in all. It was only when the services were completely over that the priest became suspicious and discovered that all this holy service had been performed over a goat. He was furious and the scandal spread over all Haiti. Some contend that the ill luck that attended Simon after was because of his treatment of Simalo. Perhaps Simon was hiding his heartbreak in the rites. It might have been the first flinching from the price of ambition. After all these years educated folk of Port-au-Prince are still laughing at the clown who occupied their palace for two years. But there is pathos too in the story.

It is the story of a peasant who gained the palace but lost his goat. He sacrificed his best friend to ambition which turned upon him and mocked his happiness to death. In the fog of flattery, he lost sight of the fact that goats and peasants are seldom the helms of empire.

Of this triumvirate, Celestina, Simon and Simalo who had come up from the south to the capitol of Haiti, perhaps Simalo, by his early death, came off best. There was President Simon in the palace, there by the grace of corrupt politicians who planned to use him to their own advantage, believing that he was there by the magic powers of his daughter and his goat.

Here he was making every social, diplomatic and political blunder conceivable, and thinking that he was cutting a great figure. And all the while, his make-believe paradise was dissolving before harsh reality. His simple faith like the priests of Baal was in his daughter and in his gods and they failed him.

It must have been disheartening to the peasant-General-Governor-President Simon when, confident of victory on account of the powers of Ogoun, he took the field against Leconte, to find that the most numerous and best directed bullets always win battles in spite of the gods. But it is said that he never lost faith in the powers of Celestina and the loa. He firmly believed, but for her he never would have become governor of the South.

There are many to agree with him in this. It is said that Celestina was possessed of the greatest courage and urged her father to fight at every challenge. It was because of this prompt and strong action that he pull himself up by his boot straps. Of course, they say his way of explanation that Celestina had this great courage was because she had such power from the loa. They never failed her until she broke her vows. But, anyway, it is a matter of history that she not only had personal bravery, she was able to inspire others with the same, her father and his soldiers being the first to feel her personality.

The people laugh and laugh at the capers of President Simon in the palace. They do not laugh at Celestina. She is today an elderly woman living in poverty in the South and she is still to the thinking Haitian a sinister figure. The glory of the days when she had a special military attaché of her own (General André Chevalier) and wielded power absolute from the palace are gone. She is a surely figure of the past. Some say that she pronounced a terrible curse against the man whose victorious army drove Simon from power. So that when the palace was blown up and Leconte killed, they said it was the power of Celestina still at work.

There are numerous accounts of Simon’s grief at the loss of his goat. He used to weary his listeners with his memories of the feats of Simalo in military campaigns. It was plain that he considered the goat more than beast, more than man, more than just a friend. There was something of worship there.

It is said that one Sunday after the death of Simalo, Simon had the cabinet members and several persons of importance assembled at the palace. He delivered one of the orations that he delighted to make and having embarrassed himself by making a faux pas, dismissed them. But a few intimates were allowed to remain and wander about informally. The President was moving towards his private apartments when he ran into the Minister of War, General Septimus Marius. He stopped suddenly as if he had seen a ghost and then broke into tears and said, “My dear Marius, as soon as I see your long beard, I think of my dear Simalo.” And he wept so hard that the other guests felt they had better weep with him.

There seems to be no doubt that Celestina and Simon enjoyed their places of power in the palace. Also that the young Amazon stirred something heroic in the hearts of Haiti for a time. She brought a whiff of the battle field with her as she came and made virile man think again of Christophe and Dessalines.

But soon the tales of the “services” in the palace, the sacrifices at Mountain House, the cruelty of Celestina and the affairs of the goat filled Haiti’s cup of disgust to the brim. Insurrections began. Simon and Celestina confident in their loa marched out to conquer as before. Simon beat down one uprising only to be met by others. He was living over the life of Macbeth and his lady, both betrayed by their mysteries. After many harried months, he bowed before that which he could no longer oppose with conviction. So Simon like many other presidents of Haiti sailed for Jamaica.

In his exile the peasant who had become a soldier, then a general, then a governor, then a president must have thought about his march from himself into the capital, into other men’s hopes and schemes. In a foreign land there he had no army, no importance, no daughter, no goat. He had nothing but time for weapons and friends and the chances are he had never learned how to use the time in bulk. Probably he used what he could of it in remembering, and no doubt he remembered the days when he was governor of Aux Cayes when he, his priestess daughter and his goat were happy rulers, before ambition tricked them into the palace.

“Oh well,” they conclude, “what can you expect? One cannot expect to prosper who breaks his vows to the loa. If President Simon had killed Simalo ——”

Ah Bo Bo!

Source: Hunter, Zora Neale • Tell My Horse • J. B. Lippincott Co., • New York, NY• 1938

*   *   *   *   *

Zora Neale Hurston, folklorist and writer, became a central figure in the Harlem Renaissance. Hurston was born and educated in Eatonville, Florida, the first incorporated black city in the United States. At the age of 16, she left her home to work with a traveling theatrical company. The company ended up in New York City , where Hurston studied anthropology at Columbia University. She then attended Howard University as well as Barnard College.

In 1931, Hurston collaborated with Langston Hughes to write the play Mule Bone: A Comedy of Negro Life in Three Acts. She wrote her most acclaimed work, Their Eyes Were Watching God in 1937. After writing her autobiography (Dust Tracks on a Road) in 1942, she went on to teach at what is now North Carolina Central University. Her work, revived by feminists in the 1970s, has gained her considerable recognition as one of the most important black writers in American history.

*   *   *   *   *

Zora Neale Hurston: A Literary Biography

By Robert E. Hemenway (Author) / Foreword by Alice Walker

 

Zora Neale Hurston—novelist, folklorist, anthropologist, and child of the rural black South—transformed each hour of her life into something bubbling, exuberant, and brimming with her joy in just being. Robert Hemenway captures the effervescence of this daughter of the Harlem Renaissance in his brilliant and original literary biography. He provides for the first time a full length study of Hurston's life and art, using unpublished letters and manuscripts and personal interviews with many who knew her.

His sensitive reconstruction of Miss Hurston's life  details her two marriages, her relations with her patron, Mrs. R. Osgood Mason, her mentor, Franz Boas, and her friend Langston Hughes; her indictment on a morals charge in 1948; and the sad, final years leading to her death as a penniless occupant of a Florida welfare home. But most important, his interpretation of her art and scholarship, including her extraordinary novels, autobiography, and popular treatment of black folkways, underscores her deep and abiding commitment to the black folk tradition.

*   *   *   *   *

What Color is Haitian Jesus?—17 October 2011—When it comes to Jesus, however, it seems everyone else is Black, leaving Jesus to standout more than what would be normally expected in a religious painting.  My favorite example of this in the gallery is a depiction of John the Baptist baptizing Jesus. The scene contains onlookers in the foreground, all Black, as well as John the Baptist, also Black, baptizing Jesus, white. The message is uncanny, but the true gravity of the piece takes a moment to sink in. Finally, it hits: you mean even in a Black country where the people and important figures in religious history are depicted as Black, Jesus still has to be white? For any Christian painting, I imagine the image of Jesus would figure prominently. Yet, this painting has added an extra layer of “heavenliness, ” by depicting Jesus as white amidst a sea of Black followers and a Black baptist.

In another painting, depicting the miraculous catch of fish from the book of Luke, Jesus and the disciples are painted white, though admittedly the fish are a variety of colors. And, after further scrutiny, perhaps Jesus isn’t white exactly? After all, Haiti does boast a sizable and influential Libyan population. Perhaps the images in this painting bear homage to middle eastern influence?—SakpaseDiplomacy

*   *   *   *   *

Ida Cox (February 25, 1896 – November 10, 1967) was an African American singer and vaudeville performer, best known for her blues performances and recordings. She was billed as "The Uncrowned Queen of the Blues" Cox was born in February, 1896 as Ida Prather in Toccoa, Habersham County, Georgia (Toccoa was in Habersham County, not yet Stephens County at the time), the daughter of Lamax and Susie (Knight) Prather, and grew up in Cedartown, Georgia, singing in the local African Methodist Church choir.

She left home to tour with travelling minstrel shows, often appearing in blackface into the 1910s; she married fellow minstrel performer Adler Cox. By 1920, she was appearing as a headline act at the 81 Theatre in Atlanta, Georgia; another headliner at that time was Jelly Roll Morton. . . .—Wikipedia

 

Ida Cox—Wild Women Don’t Have the Blues

 

Wild Women Don’t Have the Blues
                                      

                                            By Ida Cox


I hear these women raving 'bout their monkey men
About their trifling husbands and their no good friends
These poor women sit around all day and moan
Wondering why their wandering papa's don't come home
But wild women don't worry, wild women don't have no blues

Now when you've got a man, don't never be on the square
'Cause if you do he'll have a woman everywhere
I never was known to treat no one man right
I keep 'em working hard both day and night
'Cause wild women don't worry, wild women don't have their blues

I've got a disposition and a way of my own
When my man starts kicking I let him find another home
I get full of good liquor, walk the streets all night
Go home and put my man out if he don't act right
Wild women don't worry, wild women don't have their blues

You never get nothing by being an angel child
You better change your ways and get real wild
I wanna tell you something, I wouldn't tell you a lie
Wild women are the only kind that ever get by
wild women don't worry, wild women don't have their blues.

*   *   *   *   *

AALBC.com's 25 Best Selling Books

For July 1st through August 31st 2011
 

Fiction

#1 - Justify My Thug by Wahida Clark
#2 - Flyy Girl by Omar Tyree
#3 - Head Bangers: An APF Sexcapade by Zane
#4 - Life Is Short But Wide by J. California Cooper
#5 - Stackin' Paper 2 Genesis' Payback by Joy King
#6 - Thug Lovin' (Thug 4) by Wahida Clark
#7 - When I Get Where I'm Going by Cheryl Robinson
#8 - Casting the First Stone by Kimberla Lawson Roby
#9 - The Sex Chronicles: Shattering the Myth by Zane

#10 - Covenant: A Thriller  by Brandon Massey

#11 - Diary Of A Street Diva  by Ashley and JaQuavis

#12 - Don't Ever Tell  by Brandon Massey

#13 - For colored girls who have considered suicide  by Ntozake Shange

#14 - For the Love of Money : A Novel by Omar Tyree

#15 - Homemade Loves  by J. California Cooper

#16 - The Future Has a Past: Stories by J. California Cooper

#17 - Player Haters by Carl Weber

#18 - Purple Panties: An Eroticanoir.com Anthology by Sidney Molare

#19 - Stackin' Paper by Joy King

#20 - Children of the Street: An Inspector Darko Dawson Mystery by Kwei Quartey

#21 - The Upper Room by Mary Monroe

#22 – Thug Matrimony  by Wahida Clark

#23 - Thugs And The Women Who Love Them by Wahida Clark

#24 - Married Men by Carl Weber

#25 - I Dreamt I Was in Heaven - The Rampage of the Rufus Buck Gang by Leonce Gaiter

Non-fiction

#1 - Malcolm X: A Life of Reinvention by Manning Marable
#2 - Confessions of a Video Vixen by Karrine Steffans
#3 - Dear G-Spot: Straight Talk About Sex and Love by Zane
#4 - Letters to a Young Brother: MANifest Your Destiny by Hill Harper
#5 - Peace from Broken Pieces: How to Get Through What You're Going Through by Iyanla Vanzant
#6 - Selected Writings and Speeches of Marcus Garvey by Marcus Garvey
#7 - The Ebony Cookbook: A Date with a Dish by Freda DeKnight
#8 - The Isis Papers: The Keys to the Colors by Frances Cress Welsing
#9 - The Mis-Education of the Negro by Carter Godwin Woodson

#10 - John Henrik Clarke and the Power of Africana History  by Ahati N. N. Toure

#11 - Fail Up: 20 Lessons on Building Success from Failure by Tavis Smiley

#12 -The New Jim Crow: Mass Incarceration in the Age of Colorblindness by Michelle Alexander

#13 - The Black Male Handbook: A Blueprint for Life by Kevin Powell

#14 - The Other Wes Moore: One Name, Two Fates by Wes Moore

#15 - Why Men Fear Marriage: The Surprising Truth Behind Why So Many Men Can't Commit  by RM Johnson

#16 - Black Titan: A.G. Gaston and the Making of a Black American Millionaire by Carol Jenkins

#17 - Brainwashed: Challenging the Myth of Black Inferiority by Tom Burrell

#18 - A New Earth: Awakening to Your Life's Purpose by Eckhart Tolle

#19 - John Oliver Killens: A Life of Black Literary Activism by Keith Gilyard

#20 - Alain L. Locke: The Biography of a Philosopher by Leonard Harris

#21 - Age Ain't Nothing but a Number: Black Women Explore Midlife by Carleen Brice

#22 - 2012 Guide to Literary Agents by Chuck Sambuchino
#23 - Chicken Soup for the Prisoner's Soul by Tom Lagana
#24 - 101 Things Every Boy/Young Man of Color Should Know by LaMarr Darnell Shields

#25 - Beyond the Black Lady: Sexuality and the New African American Middle Class  by Lisa B. Thompson

*   *   *   *   *

The Warmth of Other Suns

The Epic Story of America's Great Migration

By Isabel Wilkerson

Ida Mae Brandon Gladney, a sharecropper's wife, left Mississippi for Milwaukee in 1937, after her cousin was falsely accused of stealing a white man's turkeys and was almost beaten to death. In 1945, George Swanson Starling, a citrus picker, fled Florida for Harlem after learning of the grove owners' plans to give him a "necktie party" (a lynching). Robert Joseph Pershing Foster made his trek from Louisiana to California in 1953, embittered by "the absurdity that he was doing surgery for the United States Army and couldn't operate in his own home town." Anchored to these three stories is Pulitzer Prize–winning journalist Wilkerson's magnificent, extensively researched study of the "great migration," the exodus of six million black Southerners out of the terror of Jim Crow to an "uncertain existence" in the North and Midwest. Wilkerson deftly incorporates sociological and historical studies into the novelistic narratives of Gladney, Starling, and Pershing settling in new lands, building anew, and often finding that they have not left racism behind. The drama, poignancy, and romance of a classic immigrant saga pervade this book, hold the reader in its grasp, and resonate long after the reading is done.

*   *   *   *   *

Blacks in Hispanic Literature: Critical Essays

Edited by Miriam DeCosta-Willis 

Blacks in Hispanic Literature is a collection of fourteen essays by scholars and creative writers from Africa and the Americas. Called one of two significant critical works on Afro-Hispanic literature to appear in the late 1970s, it includes the pioneering studies of Carter G. Woodson and Valaurez B. Spratlin, published in the 1930s, as well as the essays of scholars whose interpretations were shaped by the Black aesthetic. The early essays, primarily of the Black-as-subject in Spanish medieval and Golden Age literature, provide an historical context for understanding 20th-century creative works by African-descended, Hispanophone writers, such as Cuban Nicolás Guillén and Ecuadorean poet, novelist, and scholar Adalberto Ortiz, whose essay analyzes the significance of Negritude in Latin America. This collaborative text set the tone for later conferences in which writers and scholars worked together to promote, disseminate, and critique the literature of Spanish-speaking people of African descent. . . . Cited by a literary critic in 2004 as "the seminal study in the field of Afro-Hispanic Literature . . . on which most scholars in the field 'cut their teeth'."

*   *   *   *   *

Sister Citizen: Shame, Stereotypes, and Black Women in America

By Melissa V. Harris-Perry

According to the author, this society has historically exerted considerable pressure on black females to fit into one of a handful of stereotypes, primarily, the Mammy, the Matriarch or the Jezebel.  The selfless Mammy’s behavior is marked by a slavish devotion to white folks’ domestic concerns, often at the expense of those of her own family’s needs. By contrast, the relatively-hedonistic Jezebel is a sexually-insatiable temptress. And the Matriarch is generally thought of as an emasculating figure who denigrates black men, ala the characters Sapphire and Aunt Esther on the television shows Amos and Andy and Sanford and Son, respectively.     

Professor Perry points out how the propagation of these harmful myths have served the mainstream culture well. For instance, the Mammy suggests that it is almost second nature for black females to feel a maternal instinct towards Caucasian babies.

As for the source of the Jezebel, black women had no control over their own bodies during slavery given that they were being auctioned off and bred to maximize profits. Nonetheless, it was in the interest of plantation owners to propagate the lie that sisters were sluts inclined to mate indiscriminately.

*   *   *   *   *

The White Masters of the World

From The World and Africa, 1965

By W. E. B. Du Bois

W. E. B. Du Bois’ Arraignment and Indictment of White Civilization (Fletcher)

*   *   *   *   *

Ancient African Nations

*   *   *   *   *

If you like this page consider making a donation

online through PayPal

*   *   *   *   *

Negro Digest / Black World

Browse all issues


1950        1960        1965        1970        1975        1980        1985        1990        1995        2000 ____ 2005        

Enjoy!

*   *   *   *   *

The Death of Emmett Till by Bob Dylan  The Lonesome Death of Hattie Carroll  Only a Pawn in Their Game

Rev. Jesse Lee Peterson Thanks America for Slavery / George Jackson  / Hurricane Carter

*   *   *   *   *

The Journal of Negro History issues at Project Gutenberg

The Haitian Declaration of Independence 1804  / January 1, 1804 -- The Founding of Haiti 

*   *   *   *   *

*   *   *   *   *

 

 

 

 

 

updated 1 October 2007 

 

 

 

Home   Langston Hughes Table    Richard Wright Table  Black Arts and Black Power Figures   Fifty Influential Figures  Toussaint Table 

Related files:  Zora Neale Hurston Chronology  The Black Joan of Arc  zora smiles  zora smiles 2  Court Order Can't Make Races Mix  Zora Neale Hurston Choreographer  What White Publishers Won't Print  

The Characteristics of Negro Expression