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 Jerry W. Ward, Jr. Table & Bio

 

 

 

Books by Jerry W. Ward  Jr.

Trouble the Water (1997) / Black Southern Voices (1992) / The Richard Wright Encyclopedia (2008)  / The Katrina Papers

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Bio Sketch

Dr. Jerry Ward is a distinguished professor of English and African American World Studies at Dillard University, New Orleans, LA. Ward spent 20 years as the Lawrence Durgin Professor of Literature at Tougaloo College in Jackson. He is recognized as one of the leading experts on Wright. His credentials concerning Wright include, co-editor of the Richard Wright Encyclopedia, to be published in 2006 by Greenwood Press; founding member of the Richard Wright Circle, and his recent portrayal of Richard Wright in the Mississippi Humanities Council's Mississippi Chautauqua Writers series.

Dr. Jerry Ward contributed to the intellectual and cultural climate in Jackson for many years. Bio contd.

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Wright’s story “Down by the Riverside” makes us aware that natural disaster and its subsequent traumas do not necessarily lead to any transcending of racial differentiation and skin privilege. As can be seen in the way our mass media used various kinds of print and visual narratives to report on New Orleans, a regressive process of demonizing one portion of the city’s population and of erasing the existence of other portions. The classic binary of black and white was showcased with a vengeance.  It is now very easy to believe that no Latinas/Latinos, no Haitians, no Vietnamese, no Japanese, no Chinese, no people of Asian descent inhabited the city.  They are a significant absence in the ongoing discourse. On Richard Wright and Our Contemporary Situation

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The Katrina Papers is not your average memoir. It is a fusion of many kinds of writing, including intellectual autobiography, personal narrative, political/cultural analysis, spiritual journal, literary history, and poetry. Though it is the record of one man's experience of Hurricane Katrina, it is a record that is fully a part of his life and work as a scholar, political activist, and professor.  The Katrina Papers provides space not only for the traumatic events but also for ruminations on authors such as Richard Wright and theorists like Deleuze and Guattarri. The result is a complex though thoroughly accessible book. The struggle with formthe search for a medium proper to the complex social, personal, and political ramifications of an event unprecedented in this scholar's life and in American social historylies at the very heart of The Katrina Papers. It depicts an enigmatic and multi-stranded world view which takes the local as its nexus for understanding the global.  It resists the temptation to simplify or clarify when simplification and clarification are not possible. Ward's narrative is, at times, very direct, but he always refuses to simplify the complex emotional and spiritual volatility of the process and the historical moment that he is witnessing. The end result is an honesty that is both pedagogical and inspiring.Hank Lazer

Dear Jerry, The Richard Wright Encyclopedia (2008) is a marvelous resource! It's not like any encyclopedia I've seen before. Already, I have spent hours reading through the various entries. So much is there: people, themes, issues, events, bibliographies, etc., related to Wright. Yours is a monumental contribution! The more I read Wright (and about him), the more I am amazed at the depth and breadth of his work and its impact on the worlds of literature, philosophy, politics, sociology, history, psychology, etc. He was formidable! Floyd W. Hayes

Dear Jerry,
 
I received my copy of
The Katrina Papers this past weekend. I had to order it directly from UNO Press. This is a formidable volume! You write with such eloquence, passion, insight, and power. As survivor and raconteur of Katrina's devastation, you give the reader your reflections on this event; you also provide us with informed commentaries about a broad variety of other issues that attract your attention and the people with whom you interact. As a student of politics, I guess I am just overwhelmed by the breadth and depth of your critical observations. Reading this volume and The Richard Wright Encyclopedia, I can comprehend not only the centrality of Richard Wright to your scholarly project, but I also can grasp your own intellectual power and clear vision. For example, your critique of Robert Lashley' rant about Wright's LAWD TODAY is the model of the art of critique. Marvelous!
 
Thanks for your generous comment on my paper on Robeson and Wright. I continue to read both of your books. As always,
Floyd W. Hayes

Rudy, Jerry's Katrina Papers, which I started reading last night, is, indeed, extraordinary. It's not a new genre, however; it's really set in the frame of a journalnot the 19th-century kind like that of Ida B. Wells and of so many other, primarily women writers of that periodbut more like the "new diary," described by Tristine Rainer as a "journal for self guidance and expanded creativity." In many ways it's similar to Frida Kahlo's journal or notebookin her case, designed for creative self-expression through the incorporation of sketches, notes, and symbols (primarily visual images); in his case designed for intellectual reflection through the incorporation of verbal images and symbols.

In many ways, his journal and the "new diary" finds its postmodern manifestation in the blog, particularly one like Ethelbert's. The journal/new diary/blog is an extremely flexible genre that permits the inclusion of various other forms: poetry, Q & As, course syllabi, dialogs, prose pieces, doodlings, sketches, dramatic scenes, etc. I was particularly fascinated with Jerry's piece about his body, suggesting as it does, separation and disconnection from the "life of the mind" that he lives. Jerry is an intellectual par excellence with little indication in the Papers  of his physical/pleasurable self. Maybe he'll expand later in the book on his trips to casinos and enjoyment of Jack Daniels. But, then, the book is not a reflection on joy, but, as you say, of power and clarity in the midst of disaster and depression. Most people would have disintegrated under such trauma. More about this later as I get my thoughts together. Miriam

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Table

Bio

Books

Trouble the Water   (Review, Intro, Contents )(anthology)

Essays

Angle of Song: Pinkie Gordon Lane (1923-2008)

The Art of Tom Dent: Early Evidence

A Brief Defense of Richard Wright and Other Writers

Dreamers Die Young; Dreams Die Eventually

from THE KATRINA PAPERS

Imprisonment in Holding Cells at Tulane and Broad (from The Katrina Papers)

The Katrina Papers

The Katrina Papers: A Journal of Trauma and Recovery (book)

Katrina Reports:  New Orleans 2007

Making Peace with the Loss of Things

The Narrative Does Not End

On Cultural Work

One Writer's Legacy Richard Wright

On Richard Wright and Our Contemporary Situation

Returning to the Sources

The Weight and Substance of A Father's Law

Where is the French Obama

 

Letter

 

Jerry Ward Reports on Dillard

Report on Dillard

"What’s with Mayor Nagin?"

 

Poems

After the Hurricanes

Blue Voices for the Fourth of July

NOLA SPEAKS

Portrait of a Suicide/Death in Yellow Flooding

Whatbody Is Killing

posted 4 April 2006

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Trouble the Water

Review, Introduction, Table of Contents

 

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Douglas Redd Cultural Summit—Dillard University, Prelude, March 14, 2009After August 29, 2005, the demographics of New Orleans shifted dramatically. The shift, to overstate the case, changed everything: how we shop and how we cook; how we talk to one another; how we use celebrations as signs of hope and as mechanisms of denial and how we deal with or pretend we do not have to deal with racism, political corruption, and crime; how we educate and miseducate young people as we watch them walk down the road to death.  We do, however, continue to invent bullshit excuses for our shortcomings (lack of enforceable norms) and to perpetuate the myth of THE BLACK COMMUNITY as if time has not moved since 1968. There are African American communities in New Orleans, some of them very ancient and some, quite new. No such animal named THE BLACK COMMUNITY any longer exists.— Jerry W. Ward, Jr., Professor of English. Dillard University, author of The Katrina Papers: A Journal of Trauma and Recovery

Source: Summit Comments 2009.htm / Summit Summary 2009

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In the Summer of ‘82

In the summer of '82, I heard perplexing things.  One scholar proclaimed that if God had never spoken directly to a Black woman or man, his behavior was racist.  Where, asked the scholar, was proof in fact or fiction.  Moreover, the Black theologian refused to deal with Black atheism.
 
Another brother wondered if the historical Jesus had learned his religion from Coptic Christians.  What was Christ doing in Ethiopia during the Hidden Years, given that Ethiopia was the playground for the Greek gods?  Why has a story which centered on a Jew with hair like lamb's wool (I suspect said genuine Hebrew would have fought with the PLO) . . . why had this story sent African Americans into the recesses of beyond-salvation?
 
Even sisters dressed to the nines with five inch high heels or three inch long roaches exploring my laundry bag proved to be insufficient distraction.
 
God was popping up all over.  Especially in fiction. Alice Walker let the spirits speak in The Color Purple, thereby preserving her soul from eternal damnation.  Alice as instrument of spirit said: God is neither HE nor SHE but IT.  And likewise the Greeks found books in the Library at Alexandria that were Greek to them.  They invented philosophers to carry the weight.
 
Knowledge in books is often heavy.  Among other amazing facts I discovered that the State of Georgia suffered Washington's revenge in 1915.  As soon as Booker T. Washington died, the boll weevil invaded.
 
Brother Hakim worries about the class conflict in Nigeria.  Neither in Lagos nor in Atlanta can people venture outside after 9:00 p.m. Squirrels began to fold their arms and die for no reason on the Spelman campus.  Even for the celebration of such revenge, God was present.  Horror, I am convinced, is conversion. Jerry Ward

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Related Files

The Acklyn Model Not Sufficient 

An American Goes Back to Africa  

Black Arts and Black Power Figures

Blueprint for Negro Literature (Richard Wright)

The Claude McKay--Romare Bearden

The Conspiracy to Whiten New Orleans

Cotton Field of Dreams

The Healing Power of Words (Raymond Brookter)

I Bite the Hand That Feeds Me

I Tried to Be a Communist

Jessie Covington Dent

Katrina New Orleans Flood Index 

Katrina Survivor Stories

Literature & Arts 

Literary New Orleans

Love Should Deflect Contentment   

My Father Is Dead

Responsibility of Blacks in Cyberspace

Review of Native Son

Richard Wright Bio

Robert LashleyReviews Lawd Today

Wright Bio-Chronology  

Richard Wright Expert Jerry Ward Will Speak at SIUE

Richard Wright's Seven Photos 

Robert Lashley Reviews Lawd Today 

Southern Journey 

Take Deep Breaths

Tom Dent Bio

Tom Dent Speaks

Uncle Tom's Children  & Native Son   

Wright Bio-Chronology

 

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David Walker knew very well in 1829 that consciousness and action are crucial if an oppressed population is ever to free itself from wretchedness.  We can not depend on the American criminal justice system for remedies, because the recent antics of the neo-con Supreme Court sanction anything and everything behind the twin disguises of judicial process and national security.  Like Walker, we must present the case of our plight in the courts of world, simply as a matter of record. Such a move would create a global environment for discussion, but the more meaningful work has to be done on site in Jena, LA and everywhere else by grassroots leaders and community people who are directly affected by police attacks. Security Guards Beat School Teen

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I do worry that the very people who contributed to the flavor and culture of New Orleans will truly be too poor to afford housing in the NEW New Orleans.  As one of my friends put it, "Katrina passed judgment on America and the country has been found wanting." Thanks, Rudy, for promoting open dialogue about life and death issues.  We can prevent rumor as easily as we can prevent terrorism. We can succeed, however, in asking questions about why we can not spend as much money to restore homes as we have spent to destroy Iraq. And those questions do need to appear in global cyberspace. Jerry Ward Reports on Dillard

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There is rancid irony in my giving loving attention to Richard Wright’s violence-drenched work as we approach his centennial. Men and women of all colors only half-listened to Wright and other writers who focused on peoplekind’s destructive potential, preferring to dance in the twilight zone of arts, self-congratulation regarding the achievements of technology and science, entertainments, romantic illusions. We have not changed much. We are still dancing in 2007. The irony consists of my not feeling exceptionally good about playing the role of a reverse John the Baptist. As Wright remarked in 1944 about the genesis of Black Boy, “to tell the truth is the hardest thing on earth, harder than fighting in a war, harder than taking part in a revolution. Indeed I discovered that writing like that is a kind of war and revolution.” KATRINA REPORT  New Orleans 2007

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All I can say about this piece [What's So New About Obama?]  is that Martin Luther King, Jr. and Malcolm X were probably the last leaders to whom large numbers of black Americans were willing to accord genuine respect. Neither was a politician.  Now we have politicians who seem to believe class is far more important than race. Their minds are visually and visionally challenged. Obama and other figures mentioned in Zafran's article belong to a new breed of elected officials who may indeed lead white Americans and their black friends into or out of hell. Insofar as most black Americans exist willingly or unwillingly within the American body politic, they will be in various coaches on the train.
 
I judge these people [ so-called black leaders] to be persons with slight historical consciousness whom I have not elected or selected to lead me anywhere. They are interested in power (a vague concept), money, and idealistic hot air. Each of us must make an individual decision about who will indeed lead us daily. Those who lead me are all dead ---my known ancestors, David Walker, Frederick Douglass, W. E. B. Du Bois, Ida B. Wells, Margaret Walker, and Richard Wright; they lead me to use my talents for the benefit of my people, people who try desperately to be good citizens of the world.  Zafran's article is laughable because it is naive.
Jerry Ward

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[Tom] Dent did not aim his parting shots at the philosophical traditions which defined the role of his alma mater in the history of African American culture. His target was the kind of pedagogy which served to miseducate and underprepare Negro students. Having been trained to think critically at Morehouse by the brilliant political scientist Robert Brisbane, Dent could discriminate nicely between the value of honoring tradition and the negation that resulted from blind “worship” of traditions. The work Dent would produce during the next four decades is marked by his penchant for reason, for surgical analysis of affairs, for being informed about the cutting edge of history’s progress. The Art of Tom Dent

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Institutional racism is the very backbone of the industry that champions and valorizes thug culture. That some presumably intelligent African Americans should be gears in the machinery of institutional racism is not astonishing. They have embraced the current version of the American Dream. After all, they have no obligations under the laws of brute economy to be more noble than Africans who sold other Africans to Europeans.

If Reginald Hudlin and Tracey Edmonds and the non-black black-oriented BET celebrate Kimberly Jones (aka Lil’ Kim) for her crimes, they are acting in ways that historical narratives allow us to predict. Although King did not include either thug culture or racial treason or sinister commodification in his dream-script, these things are undeniable components of our post-1968 America.

Ms. Tucker’s juxtaposing the memory of King’s death with the success of trafficking in lawlessness is sobering. It is regrettable that, on the other hand, she failed to place the abuse of King’s sacrifice in the context of the pervasive lawlessness that is honored at the highest level of American government and business. Messages on MLK Day

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Yesterday, I regretted discarding five boxes of LPs. These were choice albums I spent more than forty years collecting. With dry eyes and a wet heart, I consign my music to the curbside. My music is trash. LPs, cassettes, and many CDs have become trash. Emptiness pains like a fishbone caught in the throat. You can have more CDs, but you are not fond of CDs. Aretha Franklin does not sound right on a CD. She sounds corrected. So too do Stevie Wonder, Duke Ellington, Louis Armstrong, and Stevie Ray Vaughn. "Cold Shot." Perhaps classical music sounds very good on a CD. Classical music is, after all, hypercorrect.

But Clifford Brown, Buddy Guy, Esther Phillips, Lynn Gold, Cassandra Wilson, Jerry Butler, the soundtracks of The Color Purple and For Colored Girls . . . and Shaft, and Tommy James and the Shantells are not hypercorrect. They, the recorded traces of their creation, are human in the grooves. When you want to hear Roland Kirk's Oleo, you must hear the grooves and scratches. It took you twenty years to begin to understand the musical structures of Oleo, and you do not want to have that pain and pleasure cheapened by a CD. Making Peace with the Loss of Things

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posted 4 April 2006 / updated 9 April 2008

 

 

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