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 By painstakingly pulling together disparate sources, she fashions a story of resistance

and backlash that illustrates how these women bravely attempted to achieve true freedom

in the face of attacks on their femininity, the stigma of tuberculosis, and outright mob violence.

 

 

To 'Joy My Freedom

Southern Black Women's Lives and Labors after the Civil War

By Tera W. Hunter

Reviews

 

The Emancipation Proclamation did not bring freedom to the four million African-Americans who lived in slavery in 1863. Instead, blacks had to claim and define that freedom in tens of thousands of acts of self-assertion during the decades that followed slavery's legal demise. To 'Joy My Freedom vividly depicts one neglected aspect of that struggle by focusing on the lives of urban black women, in particular those who worked as domestic laborers in the post-Civil War South.Drew Gilpin Faust, New York Times Book Review

 

Tera Hunter's imaginative uncovering of these struggles in Atlanta challenges conventional understandings of what is work and who is a worker. It represents the best of the recent marriage of labor history and cultural studies. It builds on feminist theory, which has expanded the conception of labor to include housework, mother-work, and sex work...Grounded in Atlanta's rise from Sherman's ashes, this is no ordinary community study. It addresses a major theme in Southern history: the contestation between freedom with Emancipation and its violent restriction with disfranchisement and Jim Crow...To restore the voices of the black masses is itself a form of hard work.

Hunter's genius is to read against the grain of police reports and planter diaries as well as to mine newspapers to recover stories sometimes only seen through shadows cast on white society.Eileen Boris, The Nation

 

Historian Tera W. Hunter looks at how black working-class women defined and experienced freedom between the Civil War and the World War I-era 'Great Migration' of blacks northward, a period when they were excluded from electoral politics as well as from most grass-roots union organizing. Hunter shows that these women saw their work as a means to shore up their self-ownership after slavery, rather than as an end in itself. Black women negotiatied work conditions and, when they found these unacceptable, they quit. The dramatic centerpiece of Hunter's book is a threatened strike by black Atlanta washerwomen in the summer of 1881...To 'Joy My Freedom is a worthwhile read, powerfully evoking the chaos of the Civil War and the transition of black women workers from slave to free and from rural to urban people. It joins a growing canon that points to the development of political consciousness among black working-class women.Dale Edwyna Smith, Washington Post Book World

 

Tera Hunter's book is a meticulously researched, cogently argued analysis of the `dialectic of repression and resistance' shaping the lives of African American women in the postbellum South. Better still, it's a terrifically told story--a tale of everyday women doing the radical work of defining and demanding freedom for themselves and their communities in a country largely hell-bent on denying them their rights.Cynthia Dobbs, San Francisco Examiner & Chronicle

 

Hunter's achievement in bringing these black women's stories to life is remarkable. Scouring newspaper accounts, personal diaries, household records, government reports and political cartoons, Hunter has reconstructed the myths and stereotypes about black female workers in and around Atlanta. In the process, she sheds light on a chapter of American history and the Southern labor movement that has heretofore remained unexamined...To 'Joy My Freedom is a brilliant reconstruction of New South history...Analytical and objective as this work of history is, [it] is also written with such passion that the stories of these women and the events that shaped their livesand American historyreads like the best fiction. Hunter's work is a tour de force, valuable and prophetic as America continues to struggle with the issues of work, fairness, sex and race.Paula L. Woods, Atlanta Journal/Constitution

 

In To 'Joy My Freedom, Tera W. Hunter charts the efforts of African-American women in Atlanta to live fulfilling lives despite an all-pervasive racism, which was most terrifying in the city's infamous race riot of 1906...One can only applaud Hunter's efforts to recover the experience of her subjects from obscurity.Times Literary Supplement

 

Tera Hunter's book is an exemplary effort to illuminate the particular history of black women domestic workers in Atlanta. By painstakingly pulling together disparate sources, she fashions a story of resistance and backlash that illustrates how these women bravely attempted to achieve true freedom in the face of attacks on their femininity, the stigma of tuberculosis, and outright mob violence. Her account skillfully integrates the oppressive nature of dominant gender roles, the role of class in intraracial subordination, and disease as stigma, although the reasons for the attachment of this stigma particularly to black washerwomen remains unclear. Overall, Hunter succeeds in showing the complexities of a fifty-year struggle by black women workers, who, in their words, fought 'to 'joy my freedom.'Bayo Holsey, Transforming Anthropology

 

To 'Joy My Freedom is a new departure in recent written history of African American women. Here, working-class women take center stage while black middle-class and elite woman are peripheral. For those who fear tackling the history of women whose personal records are few to nonexistent, Tera W. Hunter's book is at once instructive on how to write such a history and an example of a sophisticated blend of labor, social, and cultural history...Rich in detail and told with compassion and understanding, To 'Joy My Freedom fills in the gaps between contemporary histories of slavery and middle-class female uplift reform. Hunter demonstrates that professional skill, exhaustive research, and ingenious use of sources can give voice to people who leave few personal records and who do not show up in organizational minutes.Deborah Gray White, Journal of American History

 

Tera W. Hunter has written a superb study of the lives and labors of some of the African-American women who struggled through the violent upheaval of emancipation and the crushing imposition of racial segregation in the American South from the Civil War to the 1920s. Hunter's sparkling prose, extensive reading of a wide range of texts, and layered, complex and incisive analysis reveal the work of an impressively humane, imaginative, and mature historian. Her acute descriptions of local conditions and cogent insights into the larger historical context stunningly illuminate the dynamics of race, class, and gender as they played out on the frightening, brutal terrain of southern segregation...Her text constantly engages and re-engages the reader, helping us to imagine the lives of dozens of individuals who walk through the pages of history...This study is a triumph of research, astute analysis, and engaging imagination that deserves to be widely read by students of African-American, labor, and women's studies and of American history.Michael Honey, American Historical Review

 

At the end of the Civil War newly emancipated women moved to Atlanta to find employment as household labourers and washerwomen. This is a study of the workplace experiences and everyday culture of these black working women in the period until the beginning of World War I. Tracing the ways they constructed their own world of work, culture and community organization, Professor Hunter argues that their experiences and efforts were central to the African-American struggle for freedom and justice. The implementation of Jim Crow laws and segregation from the 1880s onward, however, spurred growing numbers of black working women to migrate to the North.International Review of Social History

 

Hunter offers valuable explorations into the complexities of African American feminine laborers and the contextualization of their lives. She is to be applauded for providing scholars with easier access to source materials, particularly primary sources. An important contribution to suffragist activism, feminist scholarship, and African American studies.Library Journal

 

To 'Joy My Freedom is a tour de force. Moving deftly between white households and black communities, churches and blues clubs, city hall and city streets, Tera Hunter brings black domestic workers alive, body and soul, smashing all stereotypes along the way. By placing black working class women at the center of her narrative, she rewrites the history of the New South and the nation. Her vibrant, complex, beautifully rendered portrait of black working women's struggles at the dawn of the century will move you as surely as it will alter the way we write history.Robin D. G. Kelley, New York University

 

By bringing to life the experiences, aspirations, and struggles of the black domestic workers of Atlanta, Tera Hunter opens a new window on the study of emancipation and its aftermath and, in so doing, tremendously enriches our understanding of Reconstruction and the New South.Eric Foner, Columbia University

 

"To 'Joy My Freedom is a work of utmost originality and significance. Tera Hunter brings the virtually invisible world of black working-class women to life [and then] uses those lives as a vantage point from which to reconsider the transition from slavery to freedom, the nature of southern Progressivism, the Great Migration of blacks out of the South during World War I, and the relationship and tensions between work, play, and politics in the New South.Jacquelyn Dowd Hall, University of North Carolina at Chapel Hill

 

With great breadth, sensitivity, and intellectual integrity, Tera Hunter reorients southern history toward the urban working class. This tour de force further liberates African-American history from the need always to relate to whites. Bravo!Nell Irvin Painter, Princeton University http://www.history.cmu.edu/faculty/Tera_Hunter.html

 

 

Tera W. Hunter is Associate Professor of History at Carnegie Mellon University.

Ph.D.: Yale University, 1990 / Department Member Since1996

Department of History /Carnegie Mellon University /Baker Hall 240 /Pittsburgh, PA 15213

Office: BH 240C / Phone: 268-1869 / Fax: 412-268-1019 /E-Mail: thunter@andrew.cmu.edu

Hunter is a social and cultural historian of 19th and 20th century U.S. History. Her areas of specialization are African American, Women's, Labor, and Southern history. Her book, To 'Joy My Freedom, is a community study of working-class women in the urban South, focused primarily on Atlanta, Georgia, from the Civil War through the Great Migration. This study looks at the work, family, community, and leisure lives of the domestic workers. The book is multidisciplinary in its approach, borrowing methods and theories from a range of disciplines in the humanities and social sciences. Her next major project is a study of ideas about black women in medical and scientific thought and practice in the U.S., primarily, but also throughout the African Diaspora. Her 1993 Labor History article, "Domination and Resistance," won the 1994 Letitia Brown Memorial Article Prize. To 'Joy My Freedom is the winner of the H.L. Mitchell Award, 1998 (Southern Historical Association); Letitia Brown Memorial Book Prize, 1997 (Association of Black Women's Historians); Book of the Year Award, 1997 (International Labor History Association); "Exceptional Books of 1997", (Library Booknotes, Bookman Book Review Syndicate--One of two books recognized, based on all books reviewed in 1997 for library acquisition.)

Publications

"'Sexual Pantomimes,' the Blues Aesthetic, and Black Women in the South," in Ron Radano and Phil Bholman, eds. Music and the Racial Imagination (Chicago: University of Chicago Press, forthcoming).

To 'Joy My Freedom: Southern Black Women's Lives and Labors after the Civil War (Harvard University Press, 1997).

"Work that Body': African-American Women, Work, and Leisure in Atlanta and the New South," in Labor Histories: Class, Politics and the Working-Class Experience, Eric Arnesen, Julie Greene, and Bruce Laurie, eds. (Urbana: University of Illinois Press, 1998)."

'The "Brotherly Love" for which this City is Proverbial Should Extend to All': Working-Class Women in Philadelphia and Atlanta in the 1890s," in M. Katz and T. Sugrue, eds., W. E. B. DuBois, Race, and the City (University of Pennsylvania Press, 1998).

"Introduction," in M. Cuney-Hare, Norris Wright Cuney: A Tribune of the Black People (G. K. Hall and Co.,1995).

"Domination and Resistance: The Politics of Wage Household Labor in New South Atlanta," Labor History 34 (Spring/Summer, 1993): 205-220.

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Slavery’s Constitution: From Revolution to Ratification (2009)

By David Waldstreicher

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AALBC.com's 25 Best Selling Books


 

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#25 - Beyond the Black Lady: Sexuality and the New African American Middle Class  by Lisa B. Thompson

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Salvage the Bones

A Novel by Jesmyn Ward

On one level, Salvage the Bones is a simple story about a poor black family that’s about to be trashed by one of the most deadly hurricanes in U.S. history. What makes the novel so powerful, though, is the way Ward winds private passions with that menace gathering force out in the Gulf of Mexico. Without a hint of pretension, in the simple lives of these poor people living among chickens and abandoned cars, she evokes the tenacious love and desperation of classical tragedy. The force that pushes back against Katrina’s inexorable winds is the voice of Ward’s narrator, a 14-year-old girl named Esch, the only daughter among four siblings. Precocious, passionate and sensitive, she speaks almost entirely in phrases soaked in her family’s raw land. Everything here is gritty, loamy and alive, as though the very soil were animated. Her brother’s “blood smells like wet hot earth after summer rain. . . . His scalp looks like fresh turned dirt.” Her father’s hands “are like gravel,” while her own hand “slides through his grip like a wet fish,” and a handsome boy’s “muscles jabbered like chickens.” Admittedly, Ward can push so hard on this simile-obsessed style that her paragraphs risk sounding like a compost heap, but this isn’t usually just metaphor for metaphor’s sake.

She conveys something fundamental about Esch’s fluid state of mind: her figurative sense of the world in which all things correspond and connect. She and her brothers live in a ramshackle house steeped in grief since their mother died giving birth to her last child. . . . What remains, what’s salvaged, is something indomitable in these tough siblings, the strength of their love, the permanence of their devotion.WashingtonPost

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The Warmth of Other Suns

The Epic Story of America's Great Migration

By Isabel Wilkerson

Ida Mae Brandon Gladney, a sharecropper's wife, left Mississippi for Milwaukee in 1937, after her cousin was falsely accused of stealing a white man's turkeys and was almost beaten to death. In 1945, George Swanson Starling, a citrus picker, fled Florida for Harlem after learning of the grove owners' plans to give him a "necktie party" (a lynching). Robert Joseph Pershing Foster made his trek from Louisiana to California in 1953, embittered by "the absurdity that he was doing surgery for the United States Army and couldn't operate in his own home town." Anchored to these three stories is Pulitzer Prize–winning journalist Wilkerson's magnificent, extensively researched study of the "great migration," the exodus of six million black Southerners out of the terror of Jim Crow to an "uncertain existence" in the North and Midwest. Wilkerson deftly incorporates sociological and historical studies into the novelistic narratives of Gladney, Starling, and Pershing settling in new lands, building anew, and often finding that they have not left racism behind.

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The White Masters of the World

From The World and Africa, 1965

By W. E. B. Du Bois

W. E. B. Du Bois’ Arraignment and Indictment of White Civilization (Fletcher)

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Ancient African Nations

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posted 22 June 2008

 

 

 

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